Sunday, July 06, 2008

STRANGE DAYS

By Elaine Rosenberg Miller


The man sat in the bed of a pick-up truck, facing her.

They were stopped a traffic light.

The hot late afternoon sun beat on her windshield, creating oscillating waves that distorted her vision.

Her children played in the rear seats, strapped in for safety, bickering, arguing, demanding.

The man stared right back at her.

He was very handsome in a nonchalant manner. His graying hair hung loosely to his shoulders, framing his classic features.

He had a noble head, similar to the statute of Augustus in the Metropolitan Museum up north.

Yet, here he was in south Florida on a street named Okeechobee Boulevard, riding in the back of a truck.

With a start she realized that he resembled a late popular singer who had died at age twenty-six, He had been found dead of a heart attack in his Parisian bathtub. Or had he? Theories abounded. They said that he had tired of the music business, wanted to disappear and staged his death. His coffin had been sealed, it was reported. Only two people had actually seen the body, one his common-law wife, who allegedly died just a few years later. Had she dissembled to join him exile?

When she had been younger, his songs, lyrics had been provocative, his looks leonine. To her, all other men measured against him, failed.

Today, as she did every day, five days a week, she drove to two different schools and delivered her children, worked an eight hour day, then retrieved them. This day, she had decided to go to the market. They were out of peanut butter.

Is it possible? she demanded. How? What would he be doing in West Palm Beach?

If he goes through that light, I’ll never see him again.

Where could he be living? He had been born in Florida, hadn’t he? She had read it in an article. He might know his way around Florida. He could hide. Why hasn’t anyone else recognized him?

She remembered the youth, her youth, wearing an appliquéd tee shirt. A slash of satin fabric. Lighting Lady, she had named herself. She danced, her body flowing with the music. Understanding for the first time, the power of hypnotic attraction.

“Maa! He hit me!”

“Don’t hit your sister, “she mumbled.

Had he crooked his head? Had he acknowledged her? How long was this traffic light? His smile was ironic.

“It’s him!” she swore to herself.

He has gone from being the idol of millions to having no car and hiding in the Everglades.

He’s so beautiful, she mused.

Why is such an attractive man riding in a pick-up truck?

She hated the south. Despised the small mindedness. The drawling speech. Its violent history. Yet, she had followed her husband back to his childhood home and stayed.

She had been an urban person, loving the fast moving street life of the north.

Okeechobee.

It sounded like a fungus.

She had told him that she would try it for six months.

That had been several years ago.

Everything had changed.

She was resigned.

That night, as she danced on the stage, having been pulled up from the audience, she felt her slender body on fire. The spotlights shown on her as well as the performers.

“I want a lollipop!” her son demanded.

Wordlessly, she handed him candy.

“Not that, a lollipop!”

“Me, too!” the other child said.

She handed them what they wanted.

Don’t go, she pleaded as the light changed and slowly, then with increasing speed, the truck moved forward into the intersection.

She followed it.

He smiled, bemusedly.

“I want pisgetti for dinner!” her daughter said.

The truck roared on.

Her eyes peered at his retreating visage.

“That’s spaghetti,” she sighed. “Say spaghetti, sweetie.”

“Pis-ghetti.”

He was a cipher in the distance.

Thursday, July 03, 2008

MY MOTHER’S PROPHECY
By Elaine Rosenberg Miller


"He said I should be conducting services in a pig sty," the aging gabbai said.
At first I thought the statement shocking.
After all, there's nothing worse than calling a Jew a "pig".
But, as I watched him, framed by the rustling palm fronds visible through the window, dispassionately recite an incident that had taken place earlier in the week, I nearly laughed.
"That's not very nice," I said.
"That's not all," he continued. "He chased Milton into the parking lot and threatened him. He said that he mispronounced Resnick's Hebrew name when he gave him an aliya."
Now, I was laughing.
Inwardly, of course.
Grandfathers, battling in the sub-tropical sun, I thought.
"That's terrible," I responded. "They could get heart attacks."
"I went in another door," he offered. "I didn't want to run into him."
I knew the man of whom he spoke. Lemelman, the paint manufacturer. He was, as they say, high strung. From narrow lips, my mother used to say, one should flee. There were rumors about him.
I myself, had had the misfortune to be the target of one of his outbursts. One Sabbath, as he marched around the synagogue, carrying the sacred sefer torah scrolls, covered in maroon velvet and decorated with gold embroidered crowns and lions, he passed me, solemnly standing, filled with spiritual peace, when, from under his tallis, draped piously on his head, he hissed, "There's that God damned Abraham Schuster. Why is your husband talking to him?"
I was startled out of my reverie, plucked from my sojourn with Joseph and his brothers in the land of Goshen where they had settled seeking isolation from Egypt's decadence, idolatry, excess and lack of a personal relationship with God.
"What have I got to do with whom he speaks?" I whispered. I immediately regretted my response. I should have said was "It is improper to use such words in schul."
"Look at him," he spat.
I was unsure if he was referring to my husband, with whom I had had my own disputes or Schuster, who parenthetically was worthy of the worst invectives.
I refused to turn around and gaze at the direction in which Lemelman was staring.
"I don't understand how grown men could act like this," I responded to the gabbai, "And they say women are emotional."
He nodded. He appeared to wish to share more information but I didn't encourage him. I was mindful of the restriction against gossip. People said that Lemelman was in the Mafia, but I would not repeat it. After all, it was loshen hora.
"What's the matter with your husband?" another man asked as I walked over to the kiddish table to spoon some tuna fish salad on a paper plate for my two-year old daughter.
I thought.
"He was here, you know. He left. His back."
"His back?"
"Yes, it's serious. He was in the hospital."
I omitted the fact that he had been hospitalized several months ago.
The man nodded.
"It's serious," he said.
"He had a shot of cortisone. But we think he'll get better. They recommended that he start physical therapy. He'll be getting better," I assured him, guiltily.
Yes, his back hurt but his real problem was that he was a was unable to enter Goshen, the Sinai camp, Beersheba or any other land of our forefathers.
It was his manner.
He had been a surfer.
The beach had been his heder. His surfboard was his schulan aruch. He had spent half his life sunburned and wet. He loved ketchup and sugary cola drinks and ate pies piled high with pasty looking, artificial whipped cream. He drove a boat and fished. In the ocean.
My parents had refused to believe that he was a Jew even after I showed them his bar mitzvah photographs.
"Bar mitzvah pictures can be faked," my mother responded.
I was incredulous.
How could bar mitzvah pictures be faked?
I didn't know it then, but my mother was a prophet.
"Hopefully, he'll be back next week," I offered.
"Do you know where the rabbi is?" someone asked.
"No. Probably on vacation," I said.
"It's not the same when he's not here," she commented, between bites of cholent.
"Ladies and Gentlemen."
The gabbai stood up.
"I'm not going to ask for a show of hands but I want a minyun tomorrow morning, not a minynette. Please be here. You'll be out in forty-five minutes."
He sat down.
"He should say "Gentlemen", a woman announced. "Ladies don't count."
I sighed.
No sermon.
No comments on the completion of the Book of Leviticus.
Earlier, the reader had chanted a list of rules concerning agriculture but like all rules of the torah were also aimed at conditioning human behavior, uplifting us from a self-directedness to a consciousness of natural resources, the distinction between work and servitude and a recognition of one's unique role in communal life. Fields were to lie fallow after seven years. Land returned to its owners. The Jubilee year. As was the custom, upon finishing one of the five Books of Moses, we had all stood and shouted "Chazek! Chazek! Venischazeik!" confirming ourselves to "Be Strong! Be Strong! And may we grow in strength!"
"You know," I said to the Israeli artist. "I finally understand one of my father's expressions. He used to say, 'Vie sieben, vie siebitsk'. I used to think he didn't like children, saying that as you are at seven you will be at seventy but today's torah portion says that many things in Jewish life are measured in terms of seven because that's how long it took God to create the world. Including Shabbos, of course."
He looked at me blankly.
"I mean no phrase in Jewish life is used idly. It was a reference to Genesis."
He smiled.
"Do you get any inspiration from biblical sources?"
"Not really."
"Oh."
He drank from his styrofoam cup.
"Have you ever read Isaac Bashevis Singer?"
"I don't like to read."
"Oh."
"Morris," I said to the estate jeweler, a Holocaust survivor from a hamlet near my mother's village, "Did the Jews in Europe work the land in the seventh year?"
"No," he said, reaching for a piece of bobka.
"Would you like some tuna fish?" I asked.
"I don't eat that chazerai."
"Well, if they didn't work the fields, what did they do? They didn't just sit around for a year."
"No, of course not," he said. "They worked."
"Maybe they became jewelers."
He smiled.
"Could be," he said, finishing the cake.
My daughter refused to eat the tuna fish.
"Too hot," she said.
Hot? Hot tuna fish?
I looked in her eyes, the color of onyx pebbles, so like her father's.
She gazed back at me inquiringly.
She giggled and slid off the chair. Hopping joyfully, her head bobbing from side to side, she skipped to the other end of the table to join her older sister and her friends.
"There's really no role for women in Orthodox Judaism."
I turned.
It was the women who had spoken earlier. She was a stranger, a visitor.
"It's got to change with the times or its going to be extinguished," she said to no one in particular.
"It says in the torah," she said excitedly, "that women are lower than slaves."
The gabbai turned to look at her as did the Israeli artist and the estate jeweler.
"Excuse me," said the baal torah. "It doesn't say that at all. What you may be referring to are the morning prayers, which by the way you are misinterpreting."
"Well, I don't think so. It's medieval. It has to change or a revolution will change it! And people like me are going to lead it. We will be heard. We've davened at the Kotel. We're going to take over the bimah! We're not going to sit back and take it any longer! And that mehitzah has to go. What's with this separating men from women. It's discrimination!"
There was silence in the room.
"Oh, where is that mamzer Lemelman now when we need him?" sighed the gabbai.

Wednesday, June 21, 2006

ELAINE ROSENBERG MILLER

Essays, Memoirs, Poems, Short Stories
ALLGENERATIONS (allgenerations.org) THE GOOD NAME
BEST OF WILDERNESS HOUSE LITERARY REVIEW(Wilderness House Press) ENTER/CLICK
JEWISH MAGAZINE (jewishmag.com) A VISIT WITH BASHEVIS, BOCA TALE, DREAMS, MY MOTHER’S PROPHECY, PARASHAS NOACH, TATELLEH, TEN DAYS, THE FESTIVE MEAL, THE GET, THE GOOD NAME, THE HAT, THE TWIN TOWERS, a memoir, THE WIDOWER, ZAYDE
LIT UP MAGAZINE (litupmagazine.wordpress.com) SHELTER ISLAND, STRANGE DAYS
MIRANDA LITERARY MAGAZINE (mirandaliterarymagazine.com) STRANGE DAYS
MISSISSIPPI CROW MAGAZINE, STRANGE DAYS
MUSEUM OF FAMILY HISTORY (museumoffamilyhistory.com) A VISIT WITH BASHEVIS, ZAYDE
ROBIN FALLS MAGAZINE (Robinfalls.com/tmagrrwstories.htmltmagrrwstories.com) THE NIR TAMID
THE BINNACLE (University of Maine at Machias Press) FISHING IN THE INTERCOASTAL
THE BROOKLYN VOICE (brooklynvoice.com) BROOKLYN, FISHING IN THE INTERCOASTAL, MY MOTHER'S PROPHECY, NIGHT SNOW, STRANGE DAYS, THE DOCTOR VISIT, THE FLIGHT, THE GOOD NAME, THE GREEK, THE NIR TAMID, THE SCHVIGA
THE CARTIER STREET REVIEW (cartierstreetreview.blogspot.com) THE GOOD NAME
THE JEWISH WOMAN (www.chabad.org) THE GOOD NAME
THE FORWARD (forward.com) A VISIT WITH BASHEVIS
THE WRITING ROOM, A LITERARY ANTHOLOGY, SHELTER ISLAND
UP THE STAIRCASE (upthestaircase.org) FISHING IN THE INTERCOASTAL, THE SCHVIGA
WILDERNESS HOUSE LITERARY REVIEW (whlreview.com) ENTER/CLICK, THE AUNT
WOMEN AND THE HOLOCAUST (womenandtheholocaust.com) BOCA TALE, THE GOOD NAME, ZAYDE
WOMEN IN JUDAISM, a Multidisciplinary Journal, (University of Toronto) HIS DEATH, MY MOTHER’S PROPHECY, THE HOTEL
WRITING RAW (http://writingraw.com) NIGHT SNOW, SHELTER ISLAND, THE NIR TAMID